Showing posts with label Proenza Schouler. Show all posts
Showing posts with label Proenza Schouler. Show all posts

Thursday, April 5, 2007

Designer Capsule Collections Part II





I get quite excited each time a new collaboration deal is announced, although sadly I'm now located in a place where none of these are available -_-". I am extremely excited about the 3.1 Philip Lim collaboration with UNIQLO! Hopefully they will be released in NYC UNIQLO duriing my visit this summer! I'm sure I have made the point clear that Philip is one of my favorite new designers :). I have only managed to catch glimpses of these designs via Japanese fashion magazine. I absolutely adore the LWD, and the other pieces that were shown seem a bit different from the usual 3.1 Philip Lim style. They are yet more minimalistic, has less romantic detail and are more sporty looking.

I remember when Stella McCartney for H&M came out, I was in class and wasn't able to go queuing in the morning. I must say the Stella collection is my favorite for H&M capsules. She striked the right amount of design and detail, such that they actually looke like Stella McCartney design, without carrying too much detail, which could be a disservice given the not-so-exquisite quality. I also liked the Proenza Schouler for Target collection very much for precisely the same reasons. They have designed versions of their signature bustier dresses and tops for the capsule line, as well as the prints, novel proportions and shapes that characterize their designs. Pieces from their collection look incredibly young and fun, almost like a secondary line. That being said, I haven't had the chance to examine the quality and how good they look in real life though. Karl's design are simple, clean and sleek, which does reflect his usual style, but lack the level of elegance and creativity that we see in Chanel and Fendi. Nonetheless it was still a good collection. Viktor and Rolf was probably the most dissapointing for me out of the H&M lines, as the duo had put in too much romantic details which inevitably looked cheap under not-so-great quality fabric and assembly. They also did pieces like classic trench and simple pencil skirts, which require high quality fabric and craftmanship to achieve the desired result. Not to mention that I found the heart motif rather cheesy.

I am really looking forward to seeing the celebrity-designed capsule collections. The eagerly anticipated Kate Moss's first attempt to fashion design is definitely on the top of my list. From photos I have seen from http://www.topshop.com/ and the fitting footages, it appears that her collection is a fine reflection her edgy, cool, and rather careless sexy persona. The collection does look very Brit and fits well with the general image of Topshop. M by Madonna doesn't have the kind of loud, punk, daring statement that I initially expected. The designs look more modern, sexy, and simplistic, and it strangely reminds me of Bebe for some reason. Out of all these collaborations that I have discussed, the one that I really cannot understand would be Scarlett Johanson for Reebok. Reebok started as a brand that sells design-above-performance active apparels. It had been losing ground to Nike's premium performance marketing and Addidas' superior designs and highly successful designer crossover lines. I would say their effort to make a come back with Scarlett's tasteless design is at best futile and is unlikely to attract any clients other than junior high girls who not yet have a good sense of style. The trying-to-be-sweet heart prints look cheap tacky and the heart shaped cutouts make the garments look torn. The cuts and colours lack sophistication and are unflattering. Scarlett might be an acting talent, but definitely not a designing one.

(Above from top: M by Madonna, Kate Moss for Topshop, Scarlett Johanson for Reebok)

Wednesday, April 4, 2007

Designer Capsule Collections Part I



Designer crossover collections for sport brands had been around for quite a long time: Y-3, Stella McCartney for Addidas, Comme des Garcon x Fred Perry are all product of such collaboration. This is obviously an ingenious idea, since fashionable women all love to stay toned to look good in beautiful clothes, and what is better to motivate us to hit the gym than chic designer sport attires? These collaboration marries functionality with aesthetic perfectly and revolutionize active apparels.

After the sportif collaborations, it is now the new "IT" thing for designers to do capsule collections with lower-priced chain retailers. The highest profile ones should be the H&M collezioni by big names like Karl Lagerfeld, Stella McCartney, and Viktor & Rolf; and Proenza Schouler for Target. Less widely known new designers are also designing capsule collections: 3.1 Philip Lim for UNIQLO, Vivienne Westwood/Sofia Kokosalaki/Thakoon for Nine West Front-Row Project, just to name a few. Following these designer, the newest hype is for celebrities to design their own collections to be sold by High Street chains/ labels: Kate Moss for Top Shop, M by Madonna for H&M, and Scarlett Johanson for Reebok, for example.

(Above from top: Karl Lagerfeld for H&M, Viktor & Rolf for H&M, 3.1 Philip Lim for UNIQLO)



These capsule collections are multilaterally beneficial. It is obviously a good news for us fashionista: for those with tight budget, they could get a dose of their favorite designers' design for lower price; for those with liberal budget, these capsule pieces can still act as good staples at low cost. Another beauty of these collection is its limited supply, which serve to maintain the exclusivity and uniqueness of their designers so not to undermine their appeal to the fashion society. Although the quality is inevitably much lower than the actual designer lines, they are good enough for the mix-high-and-low looks that are increasingly popular these days.

It is also beneficial for the chains, first it heightens brand image by sheer association with top tier design talents. Second, it attracts patrons who never visit these stores. The best scenario would be that they are attracted by other merchandise in the store and become new regular customers; even if they don't, they still improve sale by attracting new clients just for the one time collections. As a result, the stores broaden their clientele base. Third, these capsule collections are certainly profitable in themselves. Premier designers' names and designers allow them to charge a premium, while the products are still manufactured with the same material and facilities. After paying the designers, there is still room for lucrative profit resulting from the high demand and high premium.

It is of course beneficial for the designers designing for these collections. First, they earn extra income from the capsule collections. Second, f0r lesser known new design talents like Thakoon and Sofia Kokosalaki, capsule collections allow them to leverage on the publicity provided by chain stores' advertisting capital to proliferate their names in the market, which could in turn translate into broadened clientele and more sales in their own lines.

(Above from top : Stella McCartney for H&M, Proenza Schouler for Target)

(Above: Nine West Front-Row Project)